The Cube and the Face: Around a Sculpture by Alberto Giacometti (THINK ART) by Georges Didi-Huberman
English | July 15, 2015 | ISBN: 3037345209 | 248 Pages | PDF | 15.5 MB
Alberto Giacomettis 1934 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality.
With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artists sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional"a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artists surrealist and realist phases and contains many elements of Giacomettis aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait"or what Didi-Huberman terms œabstract anthropomorphism. Drawing on Freud, Bataille, Leiris, and others Giacometti counted as influence, Didi-Huberman presents fans and collectors of Giacomettis art with a new approach to transitional work.
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