Minimal would suggest a particular music style, and many of the patterns available in this instrument are very well suited for that style. However, we'd like to stress that this is indeed a very flexible instrument, capable of enhancing a broad range of musical arrangements and compositions in a wide variety of styles. Where Minimal differs from libraries like Tutti and Vivace is in its section-based approach. All phrases are recorded per orchestral section and can be used separately or together and in any combination, allowing for a great deal of variations at your fingertips.
The first thing that would strike you is the non-apologetic interface style without any gloss. Apart from this being a respectful nod to our Dutch art heritage on the outside, it also very much references the "form follows function" approach that Dutch design is famous for. There are no superfluous elements and we've arranged everything in an intuitive way. You have every control in one screen within an uncrowded workspace. You might not suspect it from just looking at it, but there are a lot of complex functionalities at your disposal from this one screen.
Many innovative functions grace this instrument, mostly under the hood, as we believe that technology is at its best when you don't notice it. One of the functions that might need a bit more introduction is the harmonic shift function. This element of Minimal can lead to great sounding results and also serve as a very rewarding inspirational tool. So please read and digest the part of this manual dedicated to that function. Sonokinetic.Minimal.16BiT.24.BiT.FULL.KONTAKT.HAPPY.NEW.YEAR-MAGNETRiXX
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