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Auddict Virtuoso Violin KONTAKT-SYNTHiC4TE

Автор: xidau123 » 1 февраля 2016
Auddict Virtuoso Violin KONTAKT-SYNTHiC4TE

Auddict Virtuoso Violin KONTAKT-SYNTHiC4TE
SYNTHiC4TE | Jan 31 2016 | 1.83 GB

With an instrument as diverse, capable, and exposed as the violin, there is no cutting corners, so we strived to capture as much of the possible sounds a violin can make as possible, resulting in the huge list of articulations you can see below, as well as four sampled legato styles, also shown below. We even specially sampled slurred and bowed legato so you can correctly and realistically phrase passages, and a specially sampled "fast legato" set of intervals, which will allow you to play virtuosic runs and scale passages.

On top of this, we want our instruments to be as close in sonic-flexibility to a real situation as they can be, so in addition to providing close and stage mic positions, we have also made sure to have both a ribbon and condenser mic, which you can choose to switch between. Both sounds offer so much in their own right, the ribbon having a beautiful smooth tone, and the condenser being ruthless in exposing every little detail in the sound.

The stereo mic position can be widened and narrowed by dragging the mics in the interface.

A Little More About How it Works

We wanted to make this instrument even more musical, so we have once again used our idea of the "phrase builder", which allows you to select the attack, or beginning sound of a phrase, and then switch around the type of legato throughout a musical phrase.

One huge give-away that an instrument is a sampled one and not a real instrument is how the beginning of every musical phrase sounds the same. A great performer will not sound like this. They will vary the phrase beginnings, and perhaps start some quietly, some with an FP, some with a stutter, and so we have included five options for this, to ensure that your compositions sound evolving, musical, and extremely convincing.

The width of the stereo mic perspective can be changed by dragging the bottom pair of microphones in the interface, and dynamics can be brought up and down by either the mod wheel or expression Midi CC - depending on whether you have MOD or EXP selected in the bottom right hand corner of the instrument GUI, and the shorts' dynamics are controlled by velocity.


Auddict Virtuoso Violin KONTAKT-SYNTHiC4TE

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